Over the course of a year, the Van Wyk's mourn the loss of a loved one and struggle with divorce, illness, forgiveness, high school and secrets as they heal and find each other again.

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Soon Anna (5) and Joey (4) will no longer be the only children in the family, there will be a baby! On the day of the birth they are taken by their uncle to the petting zoo. Here's a little kid that Joey immediately adores and when they escape the petting zoo together, they go on an adventure. Along the way, they all encounter obstacles and learn to join forces and make many new friends.

A young man recovers from an accident and finds five people following him everywhere. When he confronts them, they tell him that they will leave him in peace once he fulfills their wishes. As he starts doing so, he learns why they are after him.

Tells the story of one unmarried, almost thirty and pregnant Indo-Canadian woman carving out her place in the downward dog-eat-dog world of the modern day yoga craze.

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Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not. This gets her in trouble, and she is raped and killed. The police register this case as that of a suicide, and produce a note purportedly written by her that blames her mom and brother for her death. Om's girlfriend, Sandali, comes to know that his sister's death was a homicide, and this sets Om off in a wild rage to find out who the killer(s) are, and why they would commit this heinous crime; and the role of the police who claim that her death was a suicide

Indian remake of “The Omen”.

Set against the backdrop of a NYC heatwave, OM reveals the inner most thoughts that bombard a group of yoga students during their session while exploring the split decisions we make in life - as their worlds collide, the final bell rings.

Om (1986) 4 mins. Colour. Sound. 16mm. "This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear." Gary Davis. "This is hardcore cinema." Peter Kubelka, ‘What is Film’ lecture series, London 2001.